Dua Space Dance Theatre of Malaysia: Exploring Wheelchair Dance
Main Article Content
Abstract
Dua Space Dance Theatre, founded by Anthony Meh and Aman Yap in 1998, is a full-time contemporary dance company emphasising technical virtuosity and narrative choreography and often selecting themes centred on the local Chinese community. The dance company is highly associated with highlighting intercultural collaboration and embracing diversity. In 2006, with the nebular concept of Shang Jian Yi Jia (one family regardless of whether disabled or normal), Anthony and Aman were invited to establish a wheelchair dance troupe, Shuang Fu Performing Arts Troupe. This article explores the interaction between Dua Space Dance Theatre and Shuang Fu Performing Arts Troupe in terms of dance training, performance, artistic development, and its contribution to the collaboration of international disabled dance practitioners and producers. Their collaboration promotes innovation in dance-making, advocates accessibility to dance appreciation, and challenges disability stereotypes. Through interviews and archival research, this article re-visits the direction concept of Shang Jian Yi Jia, which has been practised since 2006. Through the lens of the four dimensions of social inclusion within the context of performing arts, this article identifies the Dua Space Dance Theatre’s expertise in making and performing wheelchair dance and suggests its potential for development that creates space for the visibility of disabled dancers.
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
References
Ang, Magdalene Chooi Hwa. 2012. Work and Disability: A Malaysian Scenario. Penerbit Universiti Sains Malaysia.
Armstrong, M. Jocelyn. 1993. “Disability Self-help Organizations in the Developing World: A Case Study from Malaysia.” International Journal of Rehabilitation Research 16 (3): 185–194. https://doi.org/10.1097/00004356-199309000-00002
Bacchi, Carol Lee. 2009. Analysing Policy: What’s the Problem Represented to Be? Pearson.
Collins, Ayse, Ruth Rentschler, Karen Williams and Fara Azmat. 2021. “Exploring Barriers to Social Inclusion for Disabled People: Perspectives from the Performing Arts.” Journal of Management and Organization 28 (2): 308–328. https://doi.org/10.1017/jmo.2021.48
Hammersly, Martyn and Paul Atkinson. 2007. Ethnography: Principles in Practice. 3rd ed. Taylor and Francis.
Haq, F. S. 2003. “Career and Employment Opportunities for Women with Disabilities in Malaysia.” Asia Pacific Disability Rehabilitation Journal 14 (1): 71–78.
Ikmal Hisham Md Tah and Khairil Azmin Mokhtar. 2016. “Malaysia’s Ratification of the UN Convention on the Rights of Person with Disabilities (UN CRPD).” International Journal of Business, Economics and Law 11 (4): 83–87.
Islam, M. Rezaul. 2015. “Rights of the People with Disabilities and Social Exclusion in Malaysia.” International Journal of Social Science and Humanity 5 (2): 171–177. https://doi.org/10.7763/IJSSH.2015.V5.447
Jayasooria, Denison, Bathmavathi Krishnan and Godfrey Ooi. 1997. “Disabled People in a Newly Industrialising Economy: Opportunities and Challenges in Malaysia.” Disability and Society 12 (3): 455–463. https://doi.org/10.1080/09687599727281
Jayasooria, Denison. 1999. “Disabled People: Active or Passive Citizens-reflections from the Malaysian Experience.” Disability and Society 14 (3): 341–352. https://doi.org/10.1080/09687599926181
Marsh, Kate. 2016. ”Taking Charge—Dance, Disability and Leadership: Exploring the Shifting Role of the Disabled Dance Artist.” PhD diss., Coventry University.
Mohd Anis Md Nor. 2003. “Artistic Confluences and Creative Challenges: Inventing Dance for Boria, Bangsawan and Ronggeng in Penang 1900–1970s.” Wacana Seni Journal of Arts Discourse 2: 41–53.
Mohd Anis Md Nor. 2011. “Eclecticism and Syncretic Traditions: The Making of Malay Folk Dance.” In Sharing Identities: Celebrating Dance in Malaysia. Edited by Mohd Anis Md Nor and Stephanie Burridge, 37–55. Routledge India.
Mumtaz Begum Aboo Backer. 2007. “Semiotics: Signs and Meaning in Contemporary Dance in Malaysia.” Wacana Seni Journal of Arts Discourse 6: 71–76.
Premalatha, Thiagarajan. 2017. “Move in Time: Male Dancers of Indian Classical Dance in Malaysia.” Wacana Seni Journal of Arts Discourse 16: 69–84. https://doi.org/10.21315/ws2017.16.3
Quintero, Desiree A. and Mohd Anis Md Nor. 2016. “The Curvilinear Ethnoaesthetic in Pangalay Dancing among the Suluk in Sabah, Malaysia.” Wacana Seni Journal of Arts Discourse 15: 1–25. https://doi.org/10.21315/ws2016.15.1
World Health Organization. 1980. International Classification of Impairments, Disabilities and Handicaps; A Manual of Classification Relating to the Consequences of Disease. World Health Organization. https://apps.who.int/iris/bitstream/handle/10665/41003/9241541261_eng.pdf
World Health Organization. 2001. “International Classification of Functioning, Disability and Health (ICF).” Website. Accessed August 2022. https://www.who.int/standards/classifications/international-classification-of-functioning-disability-and-health
Üstün, T. Bedirhan, Somnath Chatterji, Nenad Kostansjek and Jerome Bickenbach. 2003. “WHO’s ICF and Functional Status Information in Health Records.” Health Care Financing Review 24 (3): 77–88.
Zalizan M. Jelas and Manisah Mohd Ali. 2014. “Inclusive Education in Malaysia: Policy and Practice.” International Journal of Inclusive Education 18 (10): 991–1003. https://doi.org/10.1080/13603116.2012.693398