Published: 31-12-2017

Editorial

From the Editor

Tan Sooi Beng

v-vi

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Original Articles

Changing Approaches: Installations Produced in the Malaysian Art World

Sarena Abdullah

1–33

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The Calligraphic Subject: The Body and Social Power in Malaysian "Abstract Expressionism"

Izmer Ahmad, Elham Shafaei Darestani

33–68

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Move in Time: Male Dancers of Indian Classical Dance in Malaysia

Premalatha Thiagarajan

69–84

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Peranan Bangunan Berpentas Prosenium dalam Tradisi Persembahan Bangsawan di Sarawak

The Function of A Proscenium Staged Building in the Bangsawan Performance Tradition in

Nur Afifah Vanitha Abdullah

85–102

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Traditional Musical Instruments and Dance Music of the Lundayeh of Sabah

Jinky Jane C. Simeon, Low Kok On, Ian Stephen Baxter, Maine Saudik, Saniah Ahmad, Chong Lee Suan

103–133

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Methodology

Iconological Analysis of the Peranakan Intimate Lifestyle: A Case Study of Sylvia Lee Goh's Woman, Oh! Woman Painting Series

Eddy Izuwan Musa, Sarena Abdullah

135–162

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Impact of Photography on the Representation of The George Town Heritage Site in Penang, Malaysia

Farhad Fakhrian Roghani, Zainurul Rahman

163–187

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Drawing Insects and Phenomenology

Fauzi Naeim

189–211

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Review

Pameran Sekinchan: Land of Fertility oleh Chen Wei Meng: Alam sebagai Refleksi Kewujudan Manusia

Safrizal Shahir

213–218

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Female Sexuality: Self Empowerment or Reason for Oppression?

Cheryl Chelliah Thiruchelvam

219–233

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