An Archetypal Reading of The Arabian Nights: Mythic Hero and Monomyth in Selected Stories

Main Article Content

Behzad Pourgharib
Abdolbaghi Rezaei Talarposhti
Moussa Pourya Asl

Abstract

The Arabian Nights is a literary masterpiece that has captivated readers for centuries with its magical elements, mythical creatures and traditional patterns of archetypes. This study delves into the underlying similarities and differences among the types of archetypal characters depicted in two tales, “Three Apples” and “Ali Baba and the Forty Thieves”. The focus is on the notion of mythic hero, exploring the use of archetypal symbols, images, characters and protagonists’ quests to identify the principles of heroism central to their characterisation. The study draws upon Joseph Campbell’s theory of Monomyth, which entails a pattern for the hero’s journey that includes three rites of passage: separation, initiation and return. By examining the journeys of Ja’far and Ali Baba through this lens, we find that both possess essential qualities of a hero in accordance with the tenets of monomyth. Despite their idiosyncratic differences, they are portrayed as ordinary men without any supernatural heroic powers who are urged to reclaim their social status by embarking on an adventure where they go through rebirth, face death and triumph over evil. The findings highlight how the use of mythical elements such as magic and traditional patterns contribute to the perennial appeal of the collection.

Article Details

How to Cite
An Archetypal Reading of The Arabian Nights: Mythic Hero and Monomyth in Selected Stories. (2024). KEMANUSIAAN The Asian Journal of Humanities, 31(1), 63–79. https://doi.org/10.21315/kajh2024.31.1.4
Section
Articles

References

Aliakbari, R. 2020. American nights: The introduction and usage of the Arabian Nights within the US’s print modernity. In The Thousand and One Nights: Sources and transformations in literature, art and science, eds. I. Akel and W. Granara, 255–269. Leiden: Brill. https://doi.org/10.1163/9789004429031_017

. 2016. The Arabian Nights in the English popular press and the heterogenization of nationhood: A print cultural approach to Benedict Anderson’s imagined communities. Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée 43(3): 439–460.

Ancarani, M. 2010. Herzog: The return of the mythical hero. Villa Maria, Argentina: Eduvim.

Asl, M.P., ed. 2023. Urban poetics and politics in contemporary South Asia and the Middle East. Hershey, USA: IGI Global. https://doi.org/10.4018/978-1-6684-6650-6

. 2020. Spaces of change: Arab women’s reconfigurations of selfhood through heterotopias in Manal al-Sharif’s Daring to Drive. KEMANUSIAAN the Asian Journal of Humanities 27(2): 123–143. https://doi.org/10.21315/kajh2020.27.2.7

. 2019. Foucauldian rituals of justice and conduct in Zainab Salbi’s Between Two Worlds. Journal of Contemporary Iraq and the Arab World 13(2–3): 227–242. https://doi.org/10.1386/jciaw_00010_1

Becker, S.W. and Eagly, A.H. 2004. The heroism of women and men. American Psychologist 59(3): 163–178. https://doi.org/10.1037/0003-066X.59.3.163

Behdad, A. 2018. Marvellous thieves: Secret authors of the Arabian Nights by Paulo Lemos Horta. Victorian Studies 60(4): 664–666. https://doi.org/10.2979/victorianstudies.60.4.18

Burton, R.F. 2011. The Arabian nights. San Diego: Canterbury Classics.

Campbell, J. 2008. The hero with a thousand faces. 3 Eds. Novato, CA: New World Library.

. 1988. The power of myth. New York: Doubleday.

Chraïbi, A. and Romanova, N. 2014. Texts of the Arabian Nights and ideological variations. In New perspectives on Arabian Nights, eds. W.C. Ouyang and G.J.V. Gelder, 17–26. London/New York: Routledge.

Duff, D.L. 2015. Individuation in children’s literature: The child hero’s journey and coming-of-age. PhD diss., Pacifica Graduate Institute.

Duggan, A.E. 2015. From genie to efreet: Fantastic apparitions in the tales of the Arabian Nights. Journal of the Fantastic in the Arts 26(1): 113–135.

Faris, W.B. 1995. Scheherazade’s children: Magical realism and postmodern fiction. In Magical realism, eds. L.P. Zamova and W.B. Faris, 163–190. Durham, NC: Duke University Press.

Francaviglia, R. 2011. Go east, young man: Imagining the American West as the Orient. Logan, UT: Utah State University Press.

Franco, Z. and Zimbardo, P.G. 2016. The psychology of heroism: Extraordinary champions of humanity in an unforgiving world. In The social psychology of good and evil, ed. A. Miller, 494–523. New York: Guilford.

. 2006. The banality of heroism. Greater Good 3(2): 30–35.

Franco, Z.E., Allison, S.T., Kinsella, E.L., Kohen, A., Langdon, M. and Zimbardo, P.G. 2018. Heroism research: A review of theories, methods, challenges and trends. Journal of Humanistic Psychology 58(4): 382–396.

Grant, L.K. 2005. The secrets of Scheherazade: Toward a functional analysis of imaginative literature. The Analysis of Verbal Behavior 21(1): 181–190.

Hadley, J. 2021. The concatenation effect hypothesis in complex indirect translations: Translating the Arabian Nights into Gaelic and Japanese. Perspectives 29(5): 676–690. https://doi.org/10.1080/0907676X.2020.1797131

Halliday, W.R. 1920. The story of Ali Baba and the Forty Thieves. Folklore 31(4): 321–323. https://doi.org/10.1080/0015587X.1920.9719167

Hall, C. 2016. The group hero: An archetype whose time has come. In Exploring the collective unconscious in the age of digital media, ed. S.B. Schafer, 214–231. Hershey: IGI Global.

Hanzl, A. 1993. Critical literacy and children’s literature: Exploring the story of Aladdin. Australian Journal of Language and Literacy 16(4): 357–362. https://doi.org/10.3316/aeipt.61576

Horta, P.L. 2016. Beyond the palace: Transnational itineraries of the city in the Arabian Nights. PMLA 131(2): 487–495.

Hourihan, M. 1997. Deconstructing the hero: Literary theory and children’s literature. London: Routledge. https://doi.org/10.4324/9780203974100

Indick, W. 2014. Ancient symbology in fantasy literature: A psychological study: McFarland.

Irwin, R. 2013. The Arabian Nights and the origins of the Western novel. In Global encounters with the Arabian Nights, eds. P.F. Kennedy and M. Warner, 143–153. New York: New York University Press. https://doi.org/10.18574/nyu/9781479837922.003.0012

. 2003. The Arabian Nights: A companion: Bloomsbury Publishing.

James, E. and Mendlesohn, F. 2012. The Cambridge companion to fantasy literature: Cambridge University Press.

Jullien, D. 2014. Stranger magic: Charmed states and the Arabian Nights by Marina Warner. Marvels and Tales 28(1): 203–206.

Jung, C.G. 1968. The archetypes and the collective unconscious. London: Routledge.

Kennedy, P.F. and Warner, M. 2013. Scheherazade’s children: Global encounters with the Arabian Nights. New York: NYU Press.

Kohen, A. 2013. Heroism and relativism. Retrieved from https://kohenari.net/post/53764408412/heroism-and-relativism (accessed 17 July 2023).

Macdonald, D.B. 1913. III Further notes on Ali Baba and the Forty Thieves. Journal of the Royal Asiatic Society 45(1): 41–53. https://doi.org/10.1017/S0035869X0004404X

. 1910. IX Ali Baba and the Forty Thieves in Arabic from a Bodleian MS. Journal of the Royal Asiatic Society 42(2): 327–386. https://doi.org/10.1017/S0035869X00039575

Makdisi, S. and Nussbaum, F. 2008. The Arabian Nights in historical context: Between East and West. London: Oxford University Press.

Martens, J.W. 2005. Definitions and omissions of heroism. American Psychologist 60(4):342–343.

Marzolph, U. 2014. Narrative strategies in popular literature: Ideology and ethics in tales from the Arabian Nights and other collections. In New perspectives on Arabian Nights, eds. W.C. Ouyang and G.J.V. Gelder, 55–66. London/New York: Routledge.

. 2012. The Arabian Nights: Tales of 1001 nights. Marvels and Tales 26(1): 110–112.

. 2006. The Arabian Nights reader. Detroit: Wayne State University Press.

. 2004. Narrative strategies in popular literature: Ideology and ethics in tales from the Arabian Nights and other collections. Middle Eastern Literatures 7(2): 171–182. https://doi.org/10.1080/1366616042000236860

. Van Leeuwen, R. and Wassouf, H. 2004. The Arabian Nights encyclopedia. Vol. 1. Santa Barbara, CA: ABC-CLIO.

Naddaff, S. 2011. The Thousand and One Nights as world literature. In The Routledge companion to world literature, eds. T. D’haen, D. Damrosch and D. Kadir, 487–496. New York: Routledge.

Nance, S. 2009. How the Arabian Nights inspired the American dream, 1790–1935. Chapel Hill, NC: University of North Carolina Press.

Nikolajeva, M. 2003. Fairy tale and fantasy: From archaic to postmodern. Marvels and Tales 17(1): 138–156.

Nurfarah Hadira Abdul Hadi and Asl, M.P. 2022. The real, the imaginary and the symbolic: A Lacanian reading of Ramita Navai’s City of Lies. GEMA Online Journal of Language Studies 22(1): 145–158. https://doi.org/10.17576/gema-2022-2201-08

Nurse, P.M. 2010. Eastern dreams: How the Arabian Nights came to the world. Toronto: Penguin Canada.

Ouyang, W.C. 2004. Genres, ideologies, genre ideologies and narrative transformation. Middle Eastern Literatures 7(2): 125–131.

Ouyang, W.C. and Gelder, G.J.V. 2014. New perspectives on Arabian Nights: Ideological variations and narrative horizons. London/New York: Routledge.

Pinault, D. 1992. Story-telling techniques in the Arabian Nights. Vol. 15. Leiden: Brill.

Pourgharib, B. and Asl, M.P. 2022. Cultural translation, hybrid identity and third space in Jhumpa Lahiri’s Interpreter of Maladies. Pertanika Journal of Social Sciences and Humanities 30(4): 1657–1671. https://doi.org/10.47836/pjssh.30.4.10

Pourgharib, B., Asl, M.P. and Esmaili, S. 2023. Decolonized trauma: Narrative, memory and identity in Chimamanda Ngozi Adichie’s Americanah. Arcadia 58(1): 16–34. https://doi.org/10.1515/arcadia-2023-2005

Pourgharib, B., Hamkhiyal, S. and Asl, M.P. 2022. A non-orientalist representation of Pakistan in contemporary western travelogues. GEMA Online Journal of Language Studies 22(3): 103–118. https://doi.org/10.17576/gema-2022-2203-06

Randall, V. 2021. Orientalism, Islam and eroticism: Captain Sir Richard Francis Burton and the Arabian Nights. Victorians: A Journal of Culture and Literature 139: 1–17. https://doi.org/10.1353/vct.2021.0001

Sabry, S.S. 2011. Arab-American women’s writing and performance: Orientalism, race and the idea of the Arabian Nights. London: Bloomsbury Publishing.

Stanton, A.Z. 2020. Vulgar pleasures: The scandalous worldliness of Burton’s Arabian Nights. Journal of World Literature 6(1): 45–64.

Sellier, P. 2015. Heroism. In Companion to literary myths, heroes and archetypes, ed. P. Brunel. London: Routledge. https://doi.org/10.4324/9781315677095

Tarek, S. 2017. Women and slaves: Gender politics in the Arabian Nights. Marvels and Tales 31(2): 239–260. https://doi.org/10.13110/marvelstales.31.2.0239

The Archive for Research in Archetypal Symbolism. 2021. Functions of the unconscious. Retrieved from https://aras.org/concordance/content/functions-unconscious (accessed 22 July 2023).

Torrey, C.C. 1911. The newly discovered Arabic text of Ali Baba and the Forty Thieves. Journal of the Royal Asiatic Society 43(1): 221–229. https://doi.org/10.1017/S0035869X00041253

Tuczay, C.A. 2005. Motifs in The Arabian Nights and in ancient and medieval European literature: A comparison. Folklore 116(3): 272–291. https://doi.org/10.1080/00155870500282719

Warner, M. 2012. Stranger magic: Charmed states and the Arabian Nights. Cambridge, MA/ London: Harvard University Press. https://doi.org/10.4159/harvard.9780674065079

Zamova, L.P. and Faris, W.B., eds. 1995. Magical realism. Durham, NC: Duke University Press.